How to Play Marching Tenor Drums, Part 5 of 7: Sweeps & Scrapes

It’s time to work on sweeps and scrapes! Check out the newest video:

 

Sweeps, scrapes, split doubles–whatever you prefer to call them, this video breaks them down in detail.  You’ll find a lot here. Learn the differences between adjacent sweeps, non-adjacent sweeps, spock sweeps, outward sweeps, inward sweeps, and push-pull sweeps.  A full transcript of the video is below, along with links to the solos mentioned.

I would really, really like to hear your feedback on this particular video.  I think the terminology descriptions have the potential to revolutionize the Read more “How to Play Marching Tenor Drums, Part 5 of 7: Sweeps & Scrapes”

Multi-Tenor Etude #6: “Double Crossed”


Here is a visually exciting tenor solo from The Art of Multi-Tenor Drumming. The book contains 33 multi-tenor etudes, and this is etude #6 entitled “Double Crossed.” As the title suggests, the focus is on developing crossovers.

Here are the performance notes from the book:

This flashy etude utilizes an abundance of crossovers. The first half begins with an 8th note pattern. The second half, beginning with measure 16, utilizes the same pattern with doubles on every note. Both halves feature a repeated section—the first time through at mezzo-forte, the second time at fortissimo. Be careful not to play the mezzo-forte section too loudly; otherwise the contrast will be obscured, or you will be forced to overplay the fortissimo section. Stark dynamic contrast will really help to sell the ideas in this solo. There is a more intricate 16th note sweep section during the last two lines. Take care to aim for the proper beating spots to avoid rims. You may want to review the 16th note doubles section in the rudimental exercises [contained in the book].

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How to Play 24th Notes, 40th Notes, and More!


 

Do you know how to count 24th notes, 40th notes, or 48th notes? James walks you through some terminology that may just revolutionize your understanding of rhythm.  The following is a modified transcript of the video above:

 

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Hello, everybody. This is James Christian with RudimentalUniversity.com.

Today I want to talk about rhythm terminology. Most musicians don’t frequently deal with this particular concept I’m going to discuss, but drummers and percussionists deal with it all the time.

We’re used to whole notes, half notes, quarter, notes, 8th notes, 16th notes, etc.  And we also have tuplet patterns, such as half note triplets, quarter note triplets, 8th note triplets, 16th note triplets, and so forth. In this article, I’m going to talk about the way we discuss tuplet patterns and how we can make it a little bit easier.

This method is especially easier when you’re writing on the Internet and typing.  It also makes your terminology more consistent, regardless of the type of note you’re discussing. When you’re writing, this method will save space, and it’s just a nice shorthand for your terminology.

So here it is… Read more “How to Play 24th Notes, 40th Notes, and More!”